Hailing from Winsford – a forgotten town between Manchester and Liverpool –  The Luka State aren’t overly concerned with the loftier heights of the rock’n’roll dream. Their gritty new album, ‘More Than This’, is an unapologetic state of the nation address, and a record born of the only world they know.

“Music has always been therapy for me,” says Conrad Ellis, frontman of rising UK indie-rock powerhouse The Luka State. “You do feel like there’s a weight lifted, but for people with mental health struggles and people from working-class towns, you feel like you deserve more than the cards you’ve been dealt – those feelings don’t go away.”

Ellis, along with his hometown childhood friends Sam Bell (bass, vocals), Lewis Pusey (guitar) and Jake Barnabas (drums), dropped their self-funded debut album ‘Fall In Fall Out’ in 2021 to media attention and critical acclaim, but also a world gone quiet due to the pandemic. “It was hard to connect with the wider world when we were all stuck at home, so we couldn’t see what impact we’d had on the scene, the industry and the wider world,” remembers Ellis.

When the world opened up and the band could return to the stage, they found legions of fans who had connected with their debut album’s punchy stories of hometown life and knew every word. But by then, they’d already been at work on the follow-up and were evolving as a band both musically and lyrically.

“This new record was written at a time when we were feeling very claustrophobic because the world was shutting down,” says Ellis. “We were closed in and frustrated. I lived on my own and was writing constantly 24/7; all we had was each other so we just jumped in headfirst to see where the music took us. It was our only form of escapism”.

The bulk of the album was recorded at The Motor Museum in Liverpool (previously used by The 1975 and Bring Me The Horizon) with producers Dan Austin (You Me At Six, Pixies) and the Grammy Award-winning Adrian Bushby (Foo Fighters, Muse). It’s a small space, chosen to reflect the claustrophobia and tension that the songs were written in. The results are the most aggressive, visceral and immediate work of the band to date, fearlessly exploring the darker shadows of modern working-class life.

Take ‘More Than This’ the fiery title track. Imagine early Arctic Monkeys multiplied by the breakneck urgency of Biffy Clyro and the sharp tongued worldview of Paul Weller. It’s a damning portrait of a hungry family in broken Britain, as Ellis sings a song ‘For the broken hearted, from a broken home, let down on the breadline, and this ain’t the first time’.

“That one’s about me delivering food for a foodbank to a single mother of two who lost her job, felt let down by the system and just wanted more,” says Ellis. “She was late on the rent, had no money coming in, no food and just felt forgotten about. I just wanted to say, ‘Don’t judge people without knowing them, always treat people with compassion’. Love always wins.”

The scorched desert rock of ‘Oxygen Thief’ spits back against an arsehole who sent Ellis’ mental health into a spiral, the wall-of-sound of ‘Losing Streak’ acts as what the singer calls “a warm hug for anyone else battling addiction and trauma”, the rushing angular indie of ‘Two Worlds Apart’ speaks to anyone “feeling a little bit lost” and the arena-ready ‘Matter Of Fact’ is a lovelorn yearning for a company and a little healing. “Does my love decay when I’m not OK?” Ellis asks on the track, the centrepiece of a very human record that runs the gamut of anxieties that come from needing to know what’s next in life and love.

The world is open again now and The Luka State can take their new material out on the road with live performances that have been described as “exuding pure gasoline”. At every show, they’re approached by fans who have been touched by their music and are grateful for feeling less alone – regardless of where they’re from in the world. Despite most people not knowing where Winsford is, everyone knows someone feeling what The Luka State are singing about…You’re gonna be hearing a lot about the need for empathy, understanding and action on mental health and general welfare from this band.

“This album is a rebirth for us,” concludes Ellis. “Like every other band, we want to take over the world, but we want our message to be heard. We’re not just some standard rock’n’roll band. No one out there must feel alone. There’s a way through everything and we can do it together. We can take over the world together.”